guest post

Today’s guest post comes from fellow Minnesotan and blogger Shannon Hyland-Tassava! Shannon’s blog, Mama in Wonderland, is a fun read and a great resource for moms. Since she’s a stylish gal to boot, I asked Shannon to suggest a few easy outfits for moms on the go. Read on to find out more!

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When Sally recently offered me the opportunity to write a guest post about stylish, go-to outfit “formulas” for busy moms, I jumped at the chance. Many people think that “mom style” is an oxymoron. What kind of “style” works for a daily life filled with the nonstop, hands-on work of caring for children—let alone the endless laundry, cooking, and cleaning of many a busy mom’s schedule?

Well, but wait. As a busy mom myself, I believe that we moms can do better than yoga pants, ill-fitting jeans, faded tees, and workout wear as everyday wear. I believe this so strongly that I devoted an entire section of my book to the idea of workable style for moms. Yes, you CAN be a stylish mom, even if you’re home all day with wee ones, your days begin at 5 a.m. and end at never, or your budget is tight (or all three).

My guiding principles for pieces that work for a busy mom’s wardrobe are that clothes need to be easy, washable, practical, and comfortable. Keeping that in mind, here are a few go-to looks for the stylish, active mom. I think you’ll see that “mom style” is NOT an oxymoron, but instead it’s often downright drool-worthy. (No pun intended, moms of babies!)

*Outfit #1: jeans, cute flats, striped tee, bright scarf, big bag

Image via Polyvore

This is my most frequent and beloved mom “uniform.” Striped tops are more popular than ever this year but are also perennially in style, and can be found at every price point, so update your regular jeans-and-tee look with a classic sailor tee that you’ll wear for years to come. I tend to go for cute flats (think: leopard-print ballets, patent driving mocs in a fun color) rather than flip-flops—more practical for running around town (or after toddlers)—but the idea is the same. Note the use of vibrant accessories to punch up a very casual, basic everyday look, and the large, luxe-looking bag that elevates any outfit to hip-mama status yet still accommodates diapers, extra toddler clothes, sippy cups, toy cars, snacks, and the like. (Target has some inexpensive similar bags right now.)

Here’s the fall version of my favorite mom look: similar, but with skinny jeans tucked into tall boots and a jacket thrown on top. So stylish, yet as basic as can be.

Image via The Daybook

*Outfit #2: dress, flats or boots, cardi

Image via Target.com

Listen, moms, don’t save dresses for special occasions! A washable, knit dress is the ultimate in easy dressing: throw it over your head, add shoes and a bag (and perhaps a cardigan if it’s chilly) and you’re done. Stick with a knee-length or just-above-the-knee hemline and a shape that’s both comfy and flattering; for most moms, that’s something slightly A-line, perhaps with a wrap top. Experiment! A dress is just as easy and comfortable as yoga pants and a tee—but it’ll make you look stylish and put-together at school pick-up even if you’ve been up all night with the baby and haven’t showered in two…oops, make that three…days. Try a casual dress with ballet flats in spring, sandals in the summer, and tall riding boots in the fall. If you add a cardigan, keep it lightweight and fitted for the sleekest, most polished look.

*Outfit #3: casual skirt, tee, skimmers/driving mocs/flats

Image via J.Jill

Another fun look for warmer weather is a casual skirt in place of your usual shorts or yoga capris. Again: just as easy as those less-polished pieces, but much more stylish and grown-up. Go for knee length, and consider chino, lightweight denim, or cotton twill fabrics for just the right combination of structure and comfort. Pair your skirts with basic tees, ruffly tanks, button-front shirts, cardigans—anything you’d normally wear on top with shorts or jeans. To keep the look “busy-mom-casual” rather than overdressed, add cute and practical skimmers, driving mocs, comfy sandals, or ballet flats. In the fall, try boots instead of flats for a little more warmth and coverage.

I can attest that the above “stylish mom looks” are all completely doable; on any given day, you’re likely to find me in one of the three, even when I’m taking my kiddos to the playground or spending all day cleaning the house and planning playdates. When one of my friends confided that her husband had called me “the best-dressed mom at preschool drop-off,” I knew I was doing something right. And all I’d really done was swap out sloppy sweats for a few simple dresses and a scarf or two here and there. You can, too—you stylish mom, you.

*** Shannon Hyland-Tassava is a college-town writer, blogger, and busy mom. Her first book – The Essential Stay-at-Home Mom Manual: How to Have a Wondrous Life Amidst Kids and Chaos – was inspired by her popular motherhood blog, Mama in Wonderland. Shannon holds a Ph.D. in clinical psychology and operates a private wellness coaching practice. For more info, visit www.ShannonTassava.com. ***

**Disclosure: Actions you take from the hyperlinks within this blog post may yield commissions for alreadypretty.com. See Already Pretty’s disclosure statement for more details.

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I consider myself to be a confirmed sartorial dabbler. There are definite constants within my personal style, but I refuse to be tied down to a single aesthetic. Which is why folks who have actively chosen to dress within a narrow set of parameters fascinate me. I thought it would be interesting to call upon a few such women and ask them to share their motivations and choices. So I reached out to Alicia of Sea of Ghosts, Casey of Elegant Musings, and Trystan of This is CorpGoth. And they were kind enough to oblige me! Read on to find out more about their wardrobes, their decision-making processes, and their lives within defined dressing aesthetics.

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Alicia, Sea of Ghosts - Minimalism

What made you decide to dedicate your wardrobe to a single, defined aesthetic?

A series of events in my life made me realise that I wasn’t representing who I felt I was on the inside with the things I adorned myself with on the outside, and I really resented that conscious dissociation. I wanted someone to understand fundamental things about me from across a room, and as an artist, I wanted to present myself with a level of visual integrity true to my work. They say that you should dress for the person you want to be and that mentality helped me take my wardrobe from defined to refined.

How long have you stuck to it?

It took about a year and half of consciously documenting and analysing what I was wearing before I managed to get to that point where I knew how I wanted to define my aesthetic, and I would say it’s only really been refined since October of last year. It feels like longer though when you finally find an aesthetic that feels like home.

What do you love about it?

Well I have this fanaticism about feeling like myself. It’s not just the clothes; it extends to my jewellery and even my perfume. So I definitely love that what I project externally is 100% me. I always feel comfortable. I also never feel like “I have nothing to wear” even though I don’t have a large collection of clothes because this kind of dark minimalism has an innate mystique. It’s not an ostentatious look, so I wear and re-wear ensembles with ease—when all your dresses are black with asymmetrical draping it’s harder for others to tell them apart.

What’s frustrating?

The cost. As I refined, I found an affinity with high-end European designers such as Ann Demuelemeester and Rick Owens doing this dark, moody aesthetic that was definitely “who I wanted to be.” So, you know, I can’t really afford to embrace that all the time – which is really where the root of my minimalism comes in. As a style I love the juxtaposition of aesthetic minimalism with the avant garde – but for me it’s also minimalism as a practise, because I have to work with a very small collection of garments if I want to dress this way – I just can’t afford to have an overflowing wardrobe.

What would you say to someone considering a similar sartorial path?

Some people are comfortable and some people are restless. Restless people will never be able to stick to a single aesthetic because it would become stifling. So if you think you have the capacity to stick to one aesthetic, the key to identifying it is to understand yourself. You shouldn’t embrace an aesthetic that doesn’t reflect who you are because you’ll never be truly comfortable and spend all your money buying clothes for someone else. Do whatever it takes. For me it was rooted in my tastes in music, mostly, as well the kind of art and design I prefer. I wanted to lose myself in the darkness of both of those things. If it helps, find other people with similar interests and see how they’re dressing. When you’re comfortable there’s no need to change – just evolve. Evolution is vital to self expression. If you’re a naturally comfortable person, once you find your aesthetic it’s easy to stick to it.

Casey, Elegant Musings - Vintage

What made you decide to dedicate your wardrobe to a single, defined aesthetic?

I think I’ve always been in love with the idea of glamor, vintage clothing, and history in a tangible sense. I grew up watching classic films from the 30s through the 50s, so the aesthetics of those eras rubbed off on me. I started to realize as a young adult that I felt more comfortable dressed up with a nod towards the glamorous women who were such style icons of the past, and adopting a very “put together” look. I also felt really out of step with the current trends, and always have to a degree. So striking out on my own seemed natural, and it just slowly but surely became a more specific look the more I researched and added to my vintage collection.

How long have you stuck to it?

I would say I have been dressing in a more dedicated vintage manner for the past 4+ years. But I was dabbling in a mid-century aesthetic since I was in my mid teens—so over ten years. It’s been something that has slowly happened over time—I didn’t just wake up one morning and decide to chuck all my modern clothes for vintage style pieces! It’s definitely taken the better part of 5 years of honest dedication to build up a wardrobe I can finally say reflects my aesthetic.

What do you love about it?

The fun of playing dress-up daily! I think I never grew out of that as a child, and the idea of using clothes to not only give others an idea of my personality but mood appeals to me. Clothes are “silent communicators,” and more often than not (right or wrong), people do get a sense of who you are based on what you are wearing. I’m a bit shy at times, so I let my clothes do the talking for me in certain situations. They are great conversation starters, which helps me break the ice when I’m at social events and am a bit unsure of how to proceed.

Another aspect of vintage dressing that I love is the thrill of the hunt. Because so many of my clothes are genuine vintage or thrifted pieces (many of which I refashion to conform to my chosen look), I never know when the “next big find” will turn up! It keeps things interesting since I can’t just walk into a retail store and find exactly what I’m looking for. I have to use a big of ingenuity and digging.

What’s frustrating?

There are very few in my city who dress vintage, so it tends to draw a lot of attention to me. While I’m a fairly confident person when it comes to dressing in a way that stands out, I don’t always like the attention, especially when it becomes hostile or personally invasive. Strangers seem to think it’s okay if they touch my clothes or say things that would normally be socially inappropriate. I also find that others often just don’t understand why someone would choose to dress differently than the mainstream. Explaining in always tough, but I usually just say “it makes me happy” and then leave it. I still have people trying to convince me that I shouldn’t dress like my grandmothers did in the 1940s and it’s not attractive to men. I always laugh at the last statement, because judging by the number of times I’ve been asked out or for my phone number, I don’t think it’s considered unattractive in the least! (And my husband rather likes how I dress too!)

What would you say to someone considering a similar sartorial path?

Be bold! Wearing vintage style clothes takes a certain level of confidence and willingness to overlook all the stares and questions. You just have to stop paying attention to what others think. Experiment and find the decade(s) you like the best, and spend time studying the looks and tailoring it to your lifestyle and personal sense of style! I don’t follow a “strict” vintage manner of dressing, but everyone has to decide how specific or not they wish to be. I think a lot of those interested in vintage are a bit intimidated by the amount of work it seems to require on a daily basis. Believe me, my getting ready time doesn’t take that long now that I’ve done it for so long (like any routine it becomes habit after awhile!). I also have friends who are “weekend vintage dressers” and opt to wait until they don’t have to worry about workwear to don their favorite vintage pieces. There is no “right” way to wear vintage, in my opinion, and that’s the beauty of it!

Trystan, This is CorpGoth - Goth

What made you decide to dedicate your wardrobe to a single, defined aesthetic?

The joke about goths is that we wear black on the outside because we feel black on the inside. But it’s just a joke. We’re not necessarily depressed, nor are we evil or Satanic or anything else (check out my friend Jillian Venters’ excellent video answer to “What is goth?“). Mostly, I wear dark colors because I find them lovely, elegant, delightful, decadent, and far more attractive on me than pastels or brights.

And I’ve always been drawn to a darkly beautiful, fantastical aesthetic, with a liberal dash of history. I’ve researched and sewn historical costumes all my life, and I’ve acted at renaissance faires since college (even met my husband working at one!). I studied Victorian novels in grad school. I love traveling to crumbling castles and cemeteries. All of this informs my stylistic sense.

How long have you stuck to it?

As a teenager, I discovered thrift stores and realized I didn’t have to wear the same stuff my peers did. I created outfits inspired by my fantasies and the ’80s new wave/gothic/punk music I loved. In college, I further refined my style to emphasize the gothic side with elements of Victoriana. It helped that I worked at a secondhand clothing store for a while. I shaved half my head, dyed pink streaks in my hair, decorated my motorcycle jacket, and generally had a ton of fun with my style. I was even in a sorority, and my sisters were OK having a goth in their midst.

However, at my first job after college, I thought I had to abandon my true self and become a corporate drone. That made me miserable! I eventually went to grad school, returned to my sartorial self, and discovered a career that let me express myself in my work and be myself at the office. I’m now 43, and have been dressing in some sort of gothic fashion ever since.

What do you love about it?

You can usually find a black or dark-colored garment at any store! I bought a black velvet miniskirt at J.Jill. I got a black crochet trumpet skirt at Coldwater Creek. Most of my wardrobe comes from Target, Old Navy, Macy’s, Chadwicks, and Newport News. I can quickly skim through any store, online or off, and pick out the possible items I’m interested in. This really streamlines my shopping.

What’s frustrating?

Summer! Direct sunlight and hot weather are every goth’s nemeses. I prefer to wear black tights every day, but that would be dumb even in Northern California’s mild summers. Finding black sandals is the bane of my existence every spring, especially work-appropriate sandals (and walking-friendly, work-appropriate black sandals? that’s my holy grail). I get so sick of wearing the same few hot-weather outfits all summer long.

What would you say to someone considering a similar sartorial path?

“To thine own self be true.” — Shakespeare. Your style should reflect who you are, while also being appropriate to what you do. That’s why I started my blog. I believe you can express a unique, unusual, alternative style and still be considered a professional in the work world. I regularly speak at conferences and teach classes on behalf of my employer, all while dressing like the essential me, not like some cliché of a corporate worker. Wearing clothes that suit your inner self gives you more confidence, which will help you succeed at whatever you do.

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How many of you dress within defined aesthetics? What are your parameters? How does this influence your sartorial choices? What guided your decisions?

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Today’s amazing guest post comes from the very talented Jill Chivers. Jill is an Australian reformed shopaholic who is now an advocate for conscious shopping. After successfully completing her own year without clothes shopping, Jill launched the world’s first online membership site for other women who want to slay their own shopping dragon and create a healthier relationship to shopping, themselves, their wardrobes, and their wallets. Jill has been interviewed about compulsive overshopping by countless media outlets, including ABC4, NBC affiliated King 5, the San Jose Mercury News, the San Francisco Chronicle ,and the Wall Street Journal.

Since I have undertaken my own shopping bans and experiments, and since I know that many of you are interested in shopping habits, relationships with money, and related topics, I thought that sharing Jill’s story here would be helpful and enlightening. And if her words resonate, do take a moment to check out www.shopyourwardrobe.com. It’s a great resource.

Read on for Jill’s story.

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Imagine standing at the bottom of a large mountain. The day is blustery and a little chill. You look up and see in front you a large mass of earth and rocks and scrubby bushes. You can’t remember getting here, but here you are. The mountain is real. You’re at the bottom. And there’s only one way forward.

This was me in early December 2009. The mountain I found myself in front of was a shopping problem. Well, more accurately, an overshopping problem. It had dawned on me slowly – I was buying too much. I was wearing too little. I had racks and racks of stuff I didn’t need, or even want. How did it get there? How did I get here?

Recognising I had a shopping problem was quite painful for me. I wanted to pretend I didn’t have a problem, and I succeeded in doing that for a long time. Months. Over a year. But the whispering – you have a problem with shopping! – grew louder, and louder. Until it became a shout and I couldn’t ignore it any longer.

I had become very good at minimising the problem – surely it’s not that bad! It’s just a few shoes for goodness sake! – through to justification – well, I have the money to cover it and we’re not in credit card purgatory – how bad can it really be? And finally landed at acknowledgement – well, it’s real, it’s here, I can’t ignore it anymore – my shopping is spiralling out of control. And blessedly, shortly after that came action – what can I do about it?

A key moment for me was the insight: I needed to stop shopping for a year. I talked to my husband and close friends about taking a year off from clothes shopping and all of them responded positively. “Do it”, they said. The best ones said “You can do it”.

And so on December 15, 2009, I started my year without clothes shopping. Fear was my constant companion for many months. Fear of failure. Fear of other people’s judgement, criticism and ridicule. Fear of something I couldn’t even describe – the best I can describe it is that I feared missing out on something.

I had many ups and downs during my “year.” I had a few tears and some frustration. Some self recrimination. I had moments when I wondered why are you doing this stupid challenge? What are you trying to prove? At times, I was listless and directionless and dispirited.

And I also experienced great grace. Flashes of insight so clear and bold that they took my breath away. Feelings of utter presence and completeness that confirmed I was on the right path. Connections with others so profound and meaningful that I knew there was richness and purpose to my journey. It was truly a profound and life changing journey. I learned much about myself, my shopping, my relationships, my failings and talents.

Now over two years “clean” with my own overshopping problem, much has changed. I no longer feel a compulsion to shop and my life is so full and varied, I can’t imagine wanting to spend a day at the mall.

I still love clothes and style, but now it’s geared more toward “shopping my wardrobe” than shopping in the stores. There’s so much creativity to be found in creating a unique ensemble out of pieces I have owned for years!

The online program I designed to help other women who shop too much and want to stop, My Year Without Clothes Shopping, continues to attract members from around the globe, and those who have finished the journey report its transformational impact on their lives, their wallets, their wardrobes and their self-esteem.

I am asked to share my story regularly with entrepreneurs and women’s networks. I am invited to work with others frequently, to write articles, create videos, and deliver teleseminars and workshops. And I have appeared in over 40 media stories in Australia, New Zealand, the United States and Europe. And none of this would have been possible without that first step. That first step of acknowledgement. Of stepping into the fear, rather than away from it.

And then taking the next step. Then the next.

Image courtesy justbe.

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This post comes from Virginia Sole-Smith who blogs at virginiasolesmith.com. I found Virginia through her Beauty Schooled project, and have been hooked on her powerful, inspiring writing ever since. Read on for Virginia’s contribution to Body Image Warrior Week:

I gained twenty pounds during my ten months in beauty school.It was pretty much the most ironic thing ever. You go to beauty school to become a Beauty Expert (it said so right on the Beauty U website). You master makeup, facials, hair removal. You also master the art of selling beauty — which mostly involves figuring out what your client is most insecure about (chin hair? back acne?) and promising her that you have the solution.

And while you’re accruing all this beauty wisdom and learning how to enforce Beauty in the standardized, hairless, poreless, perfect way that the industry demands… you (or at least I) get a little fat. And thereby break what seems to be the most fundamental of all beauty rules.

It happened because Beauty U, like so many beauty schools, occupied a particular slice of a strip mall that was just a one minute car ride from McDonald’s, KFC and Dunkin Donuts. We got a fifteen minute break in the middle of our four hour class night — just long enough to zip out for a fast food dinner.

Before Beauty U, I didn’t really eat fast food. I want to explain this without judgment, but it’s very tricky to keep judgment at bay when you’re talking about food, so I’m just going to say it: I’m an organic-eating, farmer’s market-shopping girl who will cook pretty much anything Mark Bittman suggests in his Wednesday New York Times column.

I’m not a rabid calorie counter or a gym geek (though I’ve dabbled in gymming and calorie counting over the years) and I love, love, love to consume plenty of delicious things like wine, chocolate, ice cream, and not at all whole grain pasta dishes. In fact, I love all food. But in a rather particular, have-you-tried-this-artisanal-goat-cheese and ooh-what-about-these-heirloom-tomatoes way. Then I went to beauty school and realized: I eat like a very specific type of upper middle class liberal white person. Who is, very often, pretentious as hell about food.I wanted to fit in.

I didn’t want to seem pretentious as hell.

Also, hi: McDonald’s Snack Wraps are pretty delicious, especially if you’re eating one for the first time. So I got over myself even if there was a little bit of the patronizing in my “when in Rome” attitude. In fact, it was maybe more “what happens in Vegas…” I knew I didn’t really eat like that when I was being Normal Virginia. So I decided that Beauty School Virginia could do it and it would be no big thing. So what if I gained a few pounds, or my skin broke out? It was in the name of journalism, dammit! And not looking like a dbag preachy liberal! But towards the end of Beauty U, I started getting fed up with that diet. I’m not saying Snack Wraps aren’t delicious, but they stopped being quite so delicious after I’d eaten around thirty. Then, they started to taste like plastic. Plus I was getting winded walking up a hill and none of my clothes fit.

And so I started saying: “I can’t wait to get my body back.” By which I meant my 145-pound body that could hike up hills without a problem and do headstands and backbends in yoga or even, my 135-pound body that once ran two half-marathons.

It was like I thought someone had come along and zipped a fat suit up over my real body, leaving me with this 165-pound+ version that I couldn’t — or didn’t want to — recognize. Before Beauty U, I’d have told you that I was hands down happier as a size 8-10 who ate pasta and enjoyed life than a size 4-6 who didn’t. But as it turned out, I was not so happy as a size 12-14 who ate pasta and fast food and worked too hard for ten months.

And for the first month or so after I graduated, and life went back to “normal,” I kept waiting for someone to come along and unzip the fat suit so I could have my real body back.

Everyone kept saying, “Oh don’t even worry! Once you stop eating all that junk, you’ll be back to normal!” And yes, there was a quick, five-pound shift that might have been a little bit of that. But mostly, I was just focused on how uncomfortable and not normal I’d become.

But then about two months later, I was at yoga and I did a completely kick-ass back bend. I mean, five-year-olds and tall dogs could have run under the arch shape that was me without having to duck. Everyone oohed.

I was confused.

I still weighed at least 160 pounds. I thought only my “real” body could do cool things like backbends. And my clothes kept telling me that I didn’t have my “real” body back yet.

And that’s when I realized: This was my body, too.

There was no fat suit. In fact, I’d weighed this before, when I worked super long hours in a magazine office. I didn’t eat McDonalds then, but I did eat a lot of late night takeout and never had time to go the gym.

I had decided that it was okay to want my “real” body back because it wasn’t some unrealistic, Hollywood starlet goal. But even if my 145-pound body didn’t perfectly adhere to every ideal of Beauty as we enforced it in the beauty industry, it was a much closer fit than my 165-pound body. So when I said “I want my body back,” what I was really saying was, “I want Beauty’s body back.”

That was 16 months ago. And I still have just the one body. It is still a little bigger than it used to be. That might change or it might not. Sometimes it eats Subway sandwiches loaded with cold cuts and Chipotle Southwest Sauce. Other times, it braises dinosaur kale in extra virgin olive oil.

Either way, it can do a crazy cool back bend. And somehow, it became a licensed Beauty Expert. But this body doesn’t belong to Beauty. Because it is me.

Virginia Sole-Smith is a Hudson Valley-based writer whose work has appeared in many publications including Slate, Parents and the New York Times. She’s hung out in discount nail salons, talked her way into Mexican sweatshops, and spent 600 hours atBeauty U, learning how to wax, Brazilian-style (and other tricks of the beauty trade) — all in the name of exploring key health and social issues facing women today. She blogs at virginiasolesmith.com

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February 27 – March 3 is Body Image Warrior Week. Throughout the course of this week, you’ll read posts from an inspiring group of women who fight hard against body image oppression through their own words and work.

Participants in Body Image Warrior Week are:
Already Pretty
The Beheld
Decoding Dress
Dress with Courage
Eat the Damn Cake
Fit and Feminist
Medicinal Marzipan
Not Dead Yet Style
Rosie Molinary
Virginia Sole-Smith
Weightless

Image courtesy katca_78.

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This post comes from Caitlin Constantine of Fit and Feminist. Her blog is a never-ending source of inspiration and insight into the issues surrounding athleticism, equal rights, feminist philosophy, bodies and body image. Plus she’s fearless and hilarious. Read on for Caitlin’s contribution to Body Image Warrior Week:

The Danger of a Single Ideal Body

 

Recently, I came across a blog post by a personal trainer in which she explored the one of my least favorite terms as applied to women’s bodies – the word “bulky.”  Any weight-training woman is familiar with this term, as it is often the first thing other women will say as their reason for refusing to lift weights.  The idea is that lifting weights will lead to the development of big muscles, and the development of big muscles means a woman will no longer be beautiful and will instead be manly, unattractive, scary and doomed to a sex-free, love-free life.

The comments on the blog post illustrated this line of thought clearly, as woman after woman expressed dismay that she had taken up heavy lifting and was horrified to see that her body had developed muscles.   Some even clearly articulated their belief that in doing so, they had crossed a very bright line in which women were meant to be weaker and protected by the men they loved.

The women had set out in pursuit of the slender, compact body most often displayed by female celebrities, and instead they found themselves becoming muscular.  It didn’t matter that they were also stronger and that they were most likely healthier, with tougher bones and a stronger heart.  What mattered was that they were bigger.

As I read through those comments, I reflected on a TED talk given by writer Chimamanda Adichie in which she spoke about the “danger of the single story.”  She described growing up in Nigeria and yet writing stories in which her blonde-haired, blue-eyed characters ate apples and played in snow.  Every book she had read was written by British authors about British life, and as a result she hadn’t realized it was possible to write books about her own life.  She thought the only way to be worthy of literature was to be a foreigner.

I thought about her words and I realized that we as a culture had accepted the single story of the “ideal body” so thoroughly that no room remained for alternate definitions of female beauty.  Take the comments on the aforementioned blog post.  The “ideal female body” – a slim figure with breasts that aren’t too big and thighs that don’t touch and a butt that isn’t too flat and nothing that jiggles too much – is desired with such single-mindedness that the non-cosmetic benefits of weight training are dismissed without a second thought.

I use the example of women and muscles because that is what I, as an athletic woman who lifts weights, am most familiar with.  However, the story of the single ideal body manifests itself in breast augmentation and pumping parties, in gimmicky diets and weight-loss gadgets bought on installment plans, in firming creams and treatments meant to zap cellulite into non-existence.  Fortunes are spent and made in pursuit of the “ideal body,” and yet the only thing that has happened is that the ideal has become even more unattainable than ever before.

It’s not hard to see how this happened, either.  Look at our culture, at the bodies represented on television and in magazines and in movies and in advertising.  Just as Adichie only thought she could write stories about white children in snowy climates, we as a culture have trouble envisioning a standard of beauty that is not tall, thin, able-bodied and European.  Even when we do embrace someone who does not fit that standard, we tend to be very self-congratulatory about it, thus undoing whatever progress was gained by reducing that person into little more than a symbol of our open-mindedness.

I don’t know about you, but I am tired of a world in which the only people who are considered beautiful have a specific body type, a specific kind of hair, a specific tone of skin, a specific shape of face.  I find such a world inhumane and cruel, bordering on insane.  Plus, as an aesthete who revels in beauty and sensation, I also find it dreadfully boring.

Consider the natural world, with all of its abundance of living things.  Think about flowers. In my neighborhood in Florida, I can count the following: birds of paradise, hydrangea, plumeria, magnolia, jacaranda, orchids, Confederate jasmine, black-eyed Susans, coreopsis, spider lilies and dozens more whose names I don’t know.

Few of us would look at all of these flowers and say that, for instance, orchids are the only beautiful ones.  Sure, we might have a preference, but most of us would not take our preferences to mean that all other flowers are ugly, and that we ought to rip rosebushes and tulip bulbs out of the ground so they can be replaced with even more orchids.

Yet this is what we do with our bodies – we say that all bodies that do not fit that single ideal are ugly, and that all bodies must fit that single ideal to be worthy of respect and care and affection. We say that if you cannot force yourself to fit that ideal, then you must hide yourself behind shapeless clothing and maybe even consider never leaving your house because you are too revolting to be seen.

How is it that we can so easily recognize beauty in all of its millions of manifestations in plants and animals, yet our definitions narrow radically when it comes to human beings?   Why do we value diversity in all things but scorn it in ourselves?

It’s clear to me that the expectation that our bodies must be a certain way to be feminine and beautiful is an artificial one, one that is informed almost entirely by the culture in which we are raised.  The bad news is that it is a powerful expectation, filled with privileges for those who conform and punishment for those who do not.

The good news is that we can resist it.  We can resist by refusing to hate our bodies for the way they look.  We can resist by catching ourselves when we think harshly about other people’s appearances.  We can resist by refusing to judge other people based on their bodies.  We can resist by calling out those who make those kinds of moral judgments about other people.  We can resist by refusing to support media outlets who uphold such narrow beauty standards.

We need a radical redefinition of what it means to be beautiful in this society.  We need to pry open the definition so it includes all bodies, whether they are tall or short or average or slender or fat or muscular or disabled.  Enough with this idea that beauty must somehow be exclusionary, like it is this finite quality that loses its potency as more people gain access to it. Such a view of beauty is blind to the core, irreducible truth about us, which is that our existence is nothing short of a miracle.

We do not blight the world with our cellulite, nor do we somehow diminish it through our sagging flesh.  The natural order is not upended by our muscles, nor does the universe gasp in horror when it sees our bellies.  We are just as much a part of the brilliant multiplicity of the universe as the flowers and the birds and the stars in the sky.  We are beautiful because we exist.  We are beautiful because we are.

Caitlin Constantine is a writer, editor, zinester, blogger and athlete based out of Clearwater, Fla.  She writes with the goal of pushing back against a culture that defines femininity as weakness and that seeks to deny women their physical power.  Her writing has appeared in Bitch and Creative Loafing, and she blogs at fitandfeminist.wordpress.com.

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February 27 – March 3 is Body Image Warrior Week. Throughout the course of this week, you’ll read posts from an inspiring group of women who fight hard against body image oppression through their own words and work.

Participants in Body Image Warrior Week are:
Already Pretty
The Beheld
Decoding Dress
Dress with Courage
Eat the Damn Cake
Fit and Feminist
Medicinal Marzipan
Not Dead Yet Style
Rosie Molinary
Virginia Sole-Smith
Weightless

Image via Fit and Feminist.

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Body Image Warrior Week – DeeDee

by Sal on March 1, 2012 · 3 comments

This post comes from DeeDee of Decoding Dress. I only discovered DeeDee’s stellar blog recently, but now I count on her for a perfect mix of great outfits, sartorial insight, and brain-bending questions. Read on for DeeDee’s contribution to Body Image Warrior Week:

The Ideal Form of Me, or,
How Plato Turned Me into
a Body Image Blogger

 

I didn’t set out to become a body image blogger. I just wanted to write about clothes.

Well, that’s not really sufficiently precise. Lots of people write about clothes. I wanted to write about my own clothes. Of course, lots of people do that too. What I really wanted to do was to write about my relationship with my clothes. Back when I started my blog, Decoding Dress, I couldn’t find anyone else who was doing that, which made it seem like the perfect niche for me. And by “niche” I mean “Does anybody other than me actually care about this stuff?”*

It turns out it was the “my relationship with” part that got me into trouble. By inserting myself so intentionally into the mix I pretty much guaranteed body image would become a major theme of my writing, whether I intended it to or not.

To wit: most outfit blogs are, of course, about the outfits (shock-n-awe!). Note, however, that for those of us with the good fortune to have been born into situations of privilege in one of the world’s highly developed nations, the clothes we wear are rarely about protection from the elements or adherence to social norms against public nakedness; they are, rather, the real-world projection of our inner sense of self.** (That’s why we compliment a friend’s outfit by telling her, “That’s so you,” or return a piece we’ve tried on to the rack saying, “It’s just not me.”) In other words, our outfits occupy the narrow frontier separating our real, physical selves from our mental images of ourselves. So you can talk about the clothes all you want, but as soon as you bring up why you chose them, what you loved or hated about them or how they made you feel, you’re talking about body image.

It took me a while to figure that out though. It wasn’t until I dragged the ancient Greek philosopher Plato (c.428-c.348 BCE) into a post about miniskirts and red lipstick that the extreme to which my entire blogging project was going to revolve around body image started to become clear to me:

The lovers of sights and sounds like beautiful sounds, colors, shapes, and everything fashioned out of them, but their thought is unable to see and embrace the nature of the beautiful itself […] In fact, there are very few people who would be able to reach the beautiful itself and see it by itself. Isn’t that so?

— Plato, The Republic

See what Plato’s doing there? He’s drawing a distinction between the things we perceive as beautiful and beauty as a thing in and of itself. This is his way of introducing what has become known as his Theory of Forms.

This all may sound abstruse or even arcane, but you employ this theory all the time, probably without even being aware of it. How do you know that an apple — this particular apple — is an apple? You know it because you have in your mind the image of an apple — not of a particular apple, in this case, but of a general apple with a set of characteristics common to all apples. Students of platonism have traditionally referred to this general apple as the Ideal Form of an apple (after Plato himself) or as “Appleness.” (Seriously.) Platonism holds that this ideal form of an apple isn’t merely an image, but actually exists (though not in any way that can be conventionally perceived by our senses). Every particular instance of an apple, then, is understood as just an approximate expression of its Ideal Form, inherently flawed. The same goes for everything you experience or imagine…including yourself.

And that’s where the problems start.

This framework, which has come to govern so much of how we understand and experience the world, tells me that there must exist an Ideal Form of DeeDee — DeeDeeness, as it were. And what are the characteristics of DeeDeeness? For some weird reason,*** in my mind the Ideal Form of DeeDee isn’t characterized by the wrinkles that seem to be multiplying exponentially around the corners of my real mouth. It doesn’t include the flab around my midsection or my size 11 feet either.  DeeDeeness is hourglass shaped, smooth skinned and wears a size six shoe comfortably.

In other words, with alarming frequency, the characteristics I use to recognize myself aren’t necessarily characteristic of the real me. They represent someone that I not, have never been and likely never will be. It’s like trying to recognize myself — judging the validity of my own claim to be DeeDee — based on some other person’s attributes. In doing so I treat an image of some other body as if it were the platonic Ideal Form of my own — only acknowledging myself to the extent that I embody the characteristics of this alien image. Where I do not embody them I consider myself flawed, approximate.

What. The. HELL? Where does this even come from? It’s the syllogistic equivalent of judging something to be an apple by the extent to which it is small, round, blue and goes well in pancakes. I’m way too smart to be doing this, way too smart to be doing it to myself.

But I am doing it. After nearly a year of considering these issues critically under the glare of a flaming introspection fetish and far more education than is generally good for me, I’m still doing it.

The dirty little secret of Decoding Dress is that about 90% of the time, the answer to the question upon which I’ve based the whole project, “Why do I wear what I wear?” is simply “So that what I see in the mirror might more closely approximate this Ideal Form of me.” But unless and until I can acknowledge the irrationality of the Ideal Form I’ve chosen and embrace in its stead one that actually has some significant essential connection to who I am, I will never see myself as more than an approximation. I’ll never actually become myself.

And so I think (and write) about my body image, my mental projection of myself, in the hope that someday the image will fall into line with the reality. Perhaps, if I am diligent and do not cease from my self-exploration (as T.S. Elliot might say), then “the end of all our exploring will be to arrive where we started and know the place for the first time.”

I wish the same for you.

*Apparently a few people do. The really cool ones.

**If that sounded like I was riffing off a Matrix quote, that’s because I was.

***I’d love simply to blame this on patriarchal culture, but I’m pretty sure it’s more complex than that.

DeeDee is a yearling fashion and beauty blogger endlessly fascinated by why we wear what we wear. She’s still not sure where all this is headed.

 * * * * *

February 27 – March 3 is Body Image Warrior Week. Throughout the course of this week, you’ll read posts from an inspiring group of women who fight hard against body image oppression through their own words and work.

Participants in Body Image Warrior Week are:
Already Pretty
The Beheld
Decoding Dress
Dress with Courage
Eat the Damn Cake
Fit and Feminist
Medicinal Marzipan
Not Dead Yet Style
Rosie Molinary
Virginia Sole-Smith
Weightless

Image courtesy Decoding Dress.

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This post comes from  Margarita Tartakovsky of Weightless. She dedicates herself to finding and creating resources for women who struggle to love their bodies and accept themselves, and never fails to deliver. Read on for Margarita’s contribution to Body Image Warrior Week:

Loving Your Body,
No Conditions Necessary

 

I used to think that in order to love my body or really just tolerate it, I had to be thin. I had to have a flat stomach, small hips and sky-high cheekbones.

And I had to earn this love, this tolerance. I had to earn it at the gym — punitively pounding the pavement of a treadmill — and at the dinner table — carefully, nervously watching what I ate.

I used to think that I didn’t deserve to feel good about my body or myself overall because my figure didn’t fit the above criteria.  Instead, there was softness and curves and rounder cheeks.

And so I wondered and worried, how could I love a body that supposedly didn’t deserve it? I wanted to, but I truly believed — with all of my being — that I wasn’t allowed to. I’m not sure where these prescriptions came from. It was probably a mix of society’s stringent physical standards and my own perspective, a lens colored for so long by a shaky sense of self.

But either way, I felt that I couldn’t enjoy my body until I’d lost weight. Until I did what I came to believe was the exclusive path to body love.

Recently I read a powerful guest post by Rebecca Soule on Anna Guest-Jelley’s beautiful blog Curvy Yoga. Soule wrote a letter to herself on Valentine’s Day. She made the following vow to herself:

“So today, on Valentine’s Day, a day to celebrate love, I celebrate my love for you: for better for worse, in health and happiness, in creaky joints and achy knees, laughter lines and all, this life, this moment, this earth, until my spirit departs from you.”

The part about the creaky joints and achy knees really gave me pause because it refers to loving your body through it all. Through running for miles and through lying on the couch sidelined by sickness. Through losing weight and through gaining it back. Through the roller-coaster of emotional and physical ups and downs. Without conditions. Without specific criteria.

And it makes so much sense. It’s what we do for others. When we love someone — a boyfriend, a best friend, our parents, our kids — we love them unconditionally. We don’t keep track of random criteria that the person must fulfill. We don’t think about them earning our love — whether at the gym or at the dinner table. We don’t think about their qualities, especially their physical traits, as currency.

Our loved ones don’t need a six-pack to gain our respect. They don’t need muscular legs, thinner thighs or chiseled cheekbones to have our appreciation and utmost love.

So why wait to respect our bodies based on a singular, random ideal? A standard essentially set by the very companies that profit from our insecurities, hang-ups and regular body-bashing?

Our bodies are intricate and complex machines and breathtaking works of art. They work behind the scenes on the bare essentials — like breathing, moving, seeing, hearing, touching — so we can go after our dreams. So we can make our art. So we can make babies. So we can give love. Give hugs. Cook a delicious meal. Savor that meal, bite by tasty bite. Dance. Learn something new. Laugh.

Our bodies are vehicles that take us to amazing places, whether we get there through our feet or our hands. Whether we physically arrive at a destination, are able to read about it or compose a story.

We don’t need to wait until we have blemish-free, wrinkle-free skin to respect, appreciate and love ourselves. We don’t need to wait until we shed X amount of pounds. We don’t need to wait until we have a muscular stomach or a tinny tiny waist.

And we don’t need to stop respecting, appreciating or loving our bodies when we can’t do a certain exercise, or when we’re sick or tired or bloated.

Perfection — whatever that means to you, whether it’s continuously performing at your peak or having a sculpted stomach — isn’t a prerequisite for a positive body image, and it’s certainly not a prerequisite for appreciating and loving ourselves as a whole.

If it were, no one would love. No one would be loved.

But this couldn’t be further from the truth.

Love, of course, exists. And it exists in all shapes, sizes, colors, forms and flavors.

Margarita Tartakovsky is an associate editor at Psych Central. She also writes Weightless, a blog that covers everything from building a positive body image to ditching dieting to becoming a smart consumer to recovering from eating disorders. You can learn more about Margarita and her work at her personal website.

 * * * * *

February 27 – March 3 is Body Image Warrior Week. Throughout the course of this week, you’ll read posts from an inspiring group of women who fight hard against body image oppression through their own words and work.

Participants in Body Image Warrior Week are:
Already Pretty
The Beheld
Decoding Dress
Dress with Courage
Eat the Damn Cake
Fit and Feminist
Medicinal Marzipan
Not Dead Yet Style
Rosie Molinary
Virginia Sole-Smith
Weightless

Image via Get Your Mind Right

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Body Image Warrior Week – Mara Glatzel

by Sal on February 29, 2012 · 3 comments

This post comes from Mara Glatzel of Medicinal Marzipan. This amazing woman has been a champion of body image issues for years, and her inspiring posts just get better the longer she fights. Read on for Mara’s contribution to Body Image Warrior Week:

It’s like – my body is over there, spilling over into the room around it, and my head is over here, chatting with you and looking pretty. We’re two totally different pieces. Can’t you see? But, I love my body, can’t you tell?

It took me a long time to realize that loving my body meant something quite different than leaving it alone and letting it run the show however it so pleases. That loving the skin that I was in had absolutely nothing to do with “throwing all the rules out the window,” or saying f*&$ you to society and their idealized beauty norms.

It means: you only get one body. One. It is your home, your rock, your ally – and treating it like a dumpster or ignoring it, hoping it will just go away already – is not helpful.

It means: respecting the skin that you’re in.

I get a lot of people writing me emails about loving their bodies, wanting to know please God body love seems so far away when I hate my body so much – to which I reply let’s start with body neutrality.

Yes, body love is the wonderous state where everything is wonderful and you skip around in a field of flowers, blissed out and having nothing but compassionate thoughts about your authentic self. But for many? We just aren’t there yet.

Body neutrality is a state of contentment. It is dead smack between I hate myself with every fiber of my being and I couldn’t possibly love my body any more. It is a white flag thrown into the ring. It is the gauntlet thrown down when you realize that what you’re doing?  It just isn’t working for you.

For me, body neutrality means cultivating a short set of guidelines within which I know that I will feel relatively good – and sticking to them, no matter what. These rules include simple things (the kind we all know that we should do, but never get around to) like starting my day with 32 oz. of water pre-coffee, getting at least seven hours of sleep, buying underwear that fits, having sex with moderate regularity, and trying to fill up half my plate with vegetables of some variety.

It’s not really a write home worthy list, but it works. As someone who is recovering from a lifetime of compulsive and emotional eating – these guidelines keep me in a window of containment where I am able to make decisions that aren’t warped by mood swings or panic. They save me from the very dangerous place of: How did it get this bad? I am so terrified and feel so disgusting I don’t know what to do next.

These guidelines put my head back on my shoulders, reconnecting it with my body – after twenty years of stuffing my feelings down with food. It reminds me that my body is here to support me as I move about the world – and that is something that should be celebrated.

It reminds me that we are on the same team, and that developing a baseline of self-care means that we both win.

And for someone who is just beginning to delve into the world of self-love – it is a perfect place to begin.

Mara Glatzel is a body image warrior and self-love coach. She spends the majority of her time causing a ruckus on Medicinal Marzipan, where she blogs (almost) daily about correcting your relationship with your body and food, creating relationships that are fulfilling, and manifesting your dream life. Catch up with her body loving updates on twitter, Facebook, or send her an email.

 * * * * *

February 27 – March 3 is Body Image Warrior Week. Throughout the course of this week, you’ll read posts from an inspiring group of women who fight hard against body image oppression through their own words and work.

Participants in Body Image Warrior Week are:
Already Pretty
The Beheld
Decoding Dress
Dress with Courage
Eat the Damn Cake
Fit and Feminist
Medicinal Marzipan
Not Dead Yet Style
Rosie Molinary
Virginia Sole-Smith
Weightless

Image courtesy Tor Kristensen

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