I consider myself to be a confirmed sartorial dabbler. There are definite constants within my personal style, but I refuse to be tied down to a single aesthetic. Which is why folks who have actively chosen to dress within a narrow set of parameters fascinate me. I thought it would be interesting to call upon a few such women and ask them to share their motivations and choices. So I reached out to Alicia of Sea of Ghosts, Casey of Elegant Musings, and Trystan of This is CorpGoth. And they were kind enough to oblige me! Read on to find out more about their wardrobes, their decision-making processes, and their lives within defined dressing aesthetics.
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What made you decide to dedicate your wardrobe to a single, defined aesthetic?
A series of events in my life made me realise that I wasn’t representing who I felt I was on the inside with the things I adorned myself with on the outside, and I really resented that conscious dissociation. I wanted someone to understand fundamental things about me from across a room, and as an artist, I wanted to present myself with a level of visual integrity true to my work. They say that you should dress for the person you want to be and that mentality helped me take my wardrobe from defined to refined.
How long have you stuck to it?
It took about a year and half of consciously documenting and analysing what I was wearing before I managed to get to that point where I knew how I wanted to define my aesthetic, and I would say it’s only really been refined since October of last year. It feels like longer though when you finally find an aesthetic that feels like home.
What do you love about it?
Well I have this fanaticism about feeling like myself. It’s not just the clothes; it extends to my jewellery and even my perfume. So I definitely love that what I project externally is 100% me. I always feel comfortable. I also never feel like “I have nothing to wear” even though I don’t have a large collection of clothes because this kind of dark minimalism has an innate mystique. It’s not an ostentatious look, so I wear and re-wear ensembles with ease—when all your dresses are black with asymmetrical draping it’s harder for others to tell them apart.
What’s frustrating?
The cost. As I refined, I found an affinity with high-end European designers such as Ann Demuelemeester and Rick Owens doing this dark, moody aesthetic that was definitely “who I wanted to be.” So, you know, I can’t really afford to embrace that all the time – which is really where the root of my minimalism comes in. As a style I love the juxtaposition of aesthetic minimalism with the avant garde – but for me it’s also minimalism as a practise, because I have to work with a very small collection of garments if I want to dress this way – I just can’t afford to have an overflowing wardrobe.
What would you say to someone considering a similar sartorial path?
Some people are comfortable and some people are restless. Restless people will never be able to stick to a single aesthetic because it would become stifling. So if you think you have the capacity to stick to one aesthetic, the key to identifying it is to understand yourself. You shouldn’t embrace an aesthetic that doesn’t reflect who you are because you’ll never be truly comfortable and spend all your money buying clothes for someone else. Do whatever it takes. For me it was rooted in my tastes in music, mostly, as well the kind of art and design I prefer. I wanted to lose myself in the darkness of both of those things. If it helps, find other people with similar interests and see how they’re dressing. When you’re comfortable there’s no need to change – just evolve. Evolution is vital to self expression. If you’re a naturally comfortable person, once you find your aesthetic it’s easy to stick to it.

What made you decide to dedicate your wardrobe to a single, defined aesthetic?
I think I’ve always been in love with the idea of glamor, vintage clothing, and history in a tangible sense. I grew up watching classic films from the 30s through the 50s, so the aesthetics of those eras rubbed off on me. I started to realize as a young adult that I felt more comfortable dressed up with a nod towards the glamorous women who were such style icons of the past, and adopting a very “put together” look. I also felt really out of step with the current trends, and always have to a degree. So striking out on my own seemed natural, and it just slowly but surely became a more specific look the more I researched and added to my vintage collection.
How long have you stuck to it?
I would say I have been dressing in a more dedicated vintage manner for the past 4+ years. But I was dabbling in a mid-century aesthetic since I was in my mid teens—so over ten years. It’s been something that has slowly happened over time—I didn’t just wake up one morning and decide to chuck all my modern clothes for vintage style pieces! It’s definitely taken the better part of 5 years of honest dedication to build up a wardrobe I can finally say reflects my aesthetic.
What do you love about it?
The fun of playing dress-up daily! I think I never grew out of that as a child, and the idea of using clothes to not only give others an idea of my personality but mood appeals to me. Clothes are “silent communicators,” and more often than not (right or wrong), people do get a sense of who you are based on what you are wearing. I’m a bit shy at times, so I let my clothes do the talking for me in certain situations. They are great conversation starters, which helps me break the ice when I’m at social events and am a bit unsure of how to proceed.
Another aspect of vintage dressing that I love is the thrill of the hunt. Because so many of my clothes are genuine vintage or thrifted pieces (many of which I refashion to conform to my chosen look), I never know when the “next big find” will turn up! It keeps things interesting since I can’t just walk into a retail store and find exactly what I’m looking for. I have to use a big of ingenuity and digging.
What’s frustrating?
There are very few in my city who dress vintage, so it tends to draw a lot of attention to me. While I’m a fairly confident person when it comes to dressing in a way that stands out, I don’t always like the attention, especially when it becomes hostile or personally invasive. Strangers seem to think it’s okay if they touch my clothes or say things that would normally be socially inappropriate. I also find that others often just don’t understand why someone would choose to dress differently than the mainstream. Explaining in always tough, but I usually just say “it makes me happy” and then leave it. I still have people trying to convince me that I shouldn’t dress like my grandmothers did in the 1940s and it’s not attractive to men. I always laugh at the last statement, because judging by the number of times I’ve been asked out or for my phone number, I don’t think it’s considered unattractive in the least! (And my husband rather likes how I dress too!)
What would you say to someone considering a similar sartorial path?
Be bold! Wearing vintage style clothes takes a certain level of confidence and willingness to overlook all the stares and questions. You just have to stop paying attention to what others think. Experiment and find the decade(s) you like the best, and spend time studying the looks and tailoring it to your lifestyle and personal sense of style! I don’t follow a “strict” vintage manner of dressing, but everyone has to decide how specific or not they wish to be. I think a lot of those interested in vintage are a bit intimidated by the amount of work it seems to require on a daily basis. Believe me, my getting ready time doesn’t take that long now that I’ve done it for so long (like any routine it becomes habit after awhile!). I also have friends who are “weekend vintage dressers” and opt to wait until they don’t have to worry about workwear to don their favorite vintage pieces. There is no “right” way to wear vintage, in my opinion, and that’s the beauty of it!

What made you decide to dedicate your wardrobe to a single, defined aesthetic?
The joke about goths is that we wear black on the outside because we feel black on the inside. But it’s just a joke. We’re not necessarily depressed, nor are we evil or Satanic or anything else (check out my friend Jillian Venters’ excellent video answer to “What is goth?“). Mostly, I wear dark colors because I find them lovely, elegant, delightful, decadent, and far more attractive on me than pastels or brights.
And I’ve always been drawn to a darkly beautiful, fantastical aesthetic, with a liberal dash of history. I’ve researched and sewn historical costumes all my life, and I’ve acted at renaissance faires since college (even met my husband working at one!). I studied Victorian novels in grad school. I love traveling to crumbling castles and cemeteries. All of this informs my stylistic sense.
How long have you stuck to it?
As a teenager, I discovered thrift stores and realized I didn’t have to wear the same stuff my peers did. I created outfits inspired by my fantasies and the ’80s new wave/gothic/punk music I loved. In college, I further refined my style to emphasize the gothic side with elements of Victoriana. It helped that I worked at a secondhand clothing store for a while. I shaved half my head, dyed pink streaks in my hair, decorated my motorcycle jacket, and generally had a ton of fun with my style. I was even in a sorority, and my sisters were OK having a goth in their midst.
However, at my first job after college, I thought I had to abandon my true self and become a corporate drone. That made me miserable! I eventually went to grad school, returned to my sartorial self, and discovered a career that let me express myself in my work and be myself at the office. I’m now 43, and have been dressing in some sort of gothic fashion ever since.
What do you love about it?
You can usually find a black or dark-colored garment at any store! I bought a black velvet miniskirt at J.Jill. I got a black crochet trumpet skirt at Coldwater Creek. Most of my wardrobe comes from Target, Old Navy, Macy’s, Chadwicks, and Newport News. I can quickly skim through any store, online or off, and pick out the possible items I’m interested in. This really streamlines my shopping.
What’s frustrating?
Summer! Direct sunlight and hot weather are every goth’s nemeses. I prefer to wear black tights every day, but that would be dumb even in Northern California’s mild summers. Finding black sandals is the bane of my existence every spring, especially work-appropriate sandals (and walking-friendly, work-appropriate black sandals? that’s my holy grail). I get so sick of wearing the same few hot-weather outfits all summer long.
What would you say to someone considering a similar sartorial path?
“To thine own self be true.” — Shakespeare. Your style should reflect who you are, while also being appropriate to what you do. That’s why I started my blog. I believe you can express a unique, unusual, alternative style and still be considered a professional in the work world. I regularly speak at conferences and teach classes on behalf of my employer, all while dressing like the essential me, not like some cliché of a corporate worker. Wearing clothes that suit your inner self gives you more confidence, which will help you succeed at whatever you do.
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How many of you dress within defined aesthetics? What are your parameters? How does this influence your sartorial choices? What guided your decisions?